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Why people make things

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Internet Basics

πŸ““Online Commodities

Consumer and Creator

πŸ““1. Creator = ConsumerπŸ““2. The Active ConsumerπŸ““3. β€œCreator-GTMβ€πŸ““3.A. Where the Viral Things AreπŸ““4. The Anonymous EconomyπŸ““5. Pre-founder: People-focused investing

Content is King -- Bill Gates, 1997

Things To Do.

πŸ““Work to Be DoneπŸ““Statements; No Mission

⬜ Creator Financing

πŸ““Untraditional TalentπŸ““Villains/Heroes, Love/Technology

Creator Extras

πŸ““Content is Eating the WorldπŸ““A Spectrum of InfluenceπŸ““Influencing Influencers

Investment

πŸ““Total Content Market (TCM)/Content TAM (C-TAM)πŸ““Revisiting Community InvestingπŸ““Rethinking Consumer LTVπŸ““β€œOrganic” = unpaid?πŸ““Introducing: On-Page Collaboration, LiveWriting, anti-Press PublishπŸ““VC Managers: Finding your styleπŸ““Women’s Consumer (2022)πŸ““The β€œonline” button

Translation

πŸ““β€œGenZ”

Personal Journal

πŸ““An intro to Personal JournalπŸ““Unfortunately πŸ““How to Build a FundπŸ““I Don’t Want to Be YouπŸ““Advice for a Y1/Y2 woman in VCπŸ““Advice for a Y3 woman in VC πŸ““My love letter to JournalistsπŸ““Women and Wikipedia πŸ““ManifestoπŸ““Dating in Your IndustryπŸ““Alcohol and VCπŸ““Invest in the Opposition πŸ““Not On Your SideπŸ““Creator vs. Kinda β€œcreatorβ€πŸ““Forced Content.πŸ““β€œPedigreeβ€πŸ““β€œLeversβ€πŸ““β€œCleanupβ€πŸ““β€œExamplesβ€πŸ““Me & PaulπŸ““Very Specific AdviceπŸ““Why I dropped outπŸ““Young PeopleπŸ““How to be JealousπŸ““Content vs. JournalismπŸ““To Be Free
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Personal Investment Stuff
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Freshman Year
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Old Stuff

Β© EM 2024

This is completely anecdotal.

I believe that art and pain are on two far ends of the spectrum. In any moment in my life thatI’ve felt the need to find make anything of substance, it was a time I was forced, ignored, neglected or silenced.

I, personally, find it very difficult to conduct meaningful art at all in happy and free times. For this reason, I argue the rise and facade of content reframed as art. Art is high nose. Art is so snooty, if you hear anyone talk about it, you ignore it and hear it out of touch from any previous conversation no matter the context.

The only exception is proven trial. If you know, for a fact, this person has a backstory of lesser than ideal quality, the art can be accepted. For this reason, I would argue that β€œmost art is better once the artist is dead” is the ultimate get-out-of-jail-free card for someone who lacked that connection with the audience from the start.

Vulnerability to an audience is hard and historically has taken a bunch of time.